![]() Huggins also preserved the integrity of Deaton’s Sculptured House by getting it added to the National Register of Historic Places, ensuring its future preservation. The new owner also furnished the house, recruiting the help of someone close to the original project–Deaton’s daughter Charlee–who outfitted the space with custom-made modernist pieces. Because of Huggins’ efforts, the complete 7,500-square-foot house now consists of five bedrooms, five bathrooms, dining room, an expansive living space including a sunken living room, a media room, and a four car garage. Huggins, following original designs by Deaton, built an addition to the house and enlisted the help of Nick Antonopoulos who was Deaton’s architectural partner. The house was purchased in 1999 by John Huggins, a Denver entrepreneur and software developer who had an appreciation for the structure’s architecture and sought to expand on its design. The expansive windows at the front of the house also adhere to mid-century principles, giving a panoramic view from the interior out to the terrace and beyond into the wilderness, emphasizing the breaking down of barriers and a sense of weightlessness. ![]() The exterior of the house is comprised of concrete, metal, glass, and wooden slats–more elements that are common in mid-century design. First conceived as a plaster sculpture rather than an architectural blueprint, the house was bound to have an artistic edge. ![]() The building’s unique profile cannot be ignored as its simultaneous minimalism and sense of drama adhere to key features of mid-century modern architecture, with its strong geometrical forms and asymmetry. aspen, colorado 1977 peters spaceship part of an archival project, featuring the photographs of nick dewolf the Nick DeWolf Foundation Image-use requests.
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